| INSIBE THIS GUIDE:
| About the FBX |
2.3 |
| Quick-Start Operation |
2 |
| FBX-SOLO Controls |
4.5 |
| Applications |
6-8 |
| Understanding Fixed & Dynamic
Filters |
9 |
| Operating Instructions |
10-12 |
| Troubleshooting Tips |
13 |
| Product Specifications |
14 |
| Cautions |
14 |
| Warranty |
15 |
CONGRATULATIONS! You now have the state-of
-the -art in feedback control. The Sabine
FBX-SOLO gives you automatic real-time
feedback control for any and all channels
of your mix. In setup and during the performance,
it gives you more gain and increases the
clarity opf your mains and monitors. It's
the affordable solution to feedback problems,
perfect for wireless mics, monitors, acoustic/electric
instruments, harmonica mics, multi-mic
locations like conference rooms and courthousee--wherever
there's one or more open microphones.
The FBX-SOLO incorporates the latest
in design and digital signal processing
technology. It automatically senses feedback
in a sound system and determines its pitch.
It then places one of its eight constant
"Q" microfilters on the resonating
frequency and eliminates the feedback
in typically les than on second.
Special features of the SL-820 and SM-820:
New ultra fast & quiet TURBO SETUP
MODE grabs feedback at very low levels.
Turbo saves your ears!
The SL-820 has 1/4"in/out connectors
and input/output level switches for any
combination of ins and outs.The SL is
for use with acoustic/electric guitars
and guitar amplifiers, mixer insert points,
powered mixer patch points and high impedance
mics.
The SM-820, with selectable phantom power,
has XLR in/out connectors for use with
balanced microphones.
Both models offer standard FBX features
like switchable filter widths and lockable
fixed filters.
New improved performance-20 bit A/D conversion,
expanded dynamic range & up to 8 FBX
filters. |
